From Oggiano’s site: “Quasi-Objects” is an art project consisting of 3d generated videos and prints, a practice of “organic re-design” – started in 2003 and still in progress – that aims to stimulate thought and dialogue on the progressive relativisation of natural forms of life as a result of techno-biological evolution. “Quasi-Objects” regards data actualization, the production of biologically non-functional organisms and ecosystems as transient output of an operative practice: aesthetics of process.

Life is a real and autonomous process independent from any specific material manifestation.”

Via But Does It Float

Now I’m happy to add the gorgeous digital collages of Nacho Ormaechea’s Le Carnet Noir to the list.

A Spanish-born freelance Art Director and Graphic Designer working in Paris, Ormaechea’s work remove the urban dwellers from his obviously European backdrops and replaces them with colourful, incongruous images ranging from the organic – fruit and flowers – to the urban mundane – industrial hallways and electric signs. While his visual collisions might not have as much of a literal play on meaning or political subtext as others I’ve seen, they’re incredibly eye-catching in a straight forward, high def, casually bombastic way. And I can’t get enough of them. If you can’t either, then they’re all up for grabs over at Big Cartel.

Their latest, directed by Morgan Beringer and promoting Matthew Dear’s Headcage EP, is a gorgeous, metallic, slithering, opalescent mess of wonderful goo.

The only thing that kinda bums me out is that it reminds me a bit too much of Robert Seidel’s legendary 2006 masterpiece for Zero 7′s Futures.

I like the collision of colour and greyscale, and also of forms that are literal with those that aren’t. Which is a fancy way of saying that I like it when deer wear bad 80s sweaters and lasers shoot out of cats’ eyes. Which is all an elaborate lead-up to the fact that I really dig these illustrations from British graphic designer Kris Tate. Even better, she’s got some gorgeous prints for sale online at Society 6, and if one of them could magically appear on my wall that would be mint.

]]> http://shape-and-colour.com/2011/11/30/kris-tate/feed/ 2 shape+colour f07b42c50e55db510bd47e52f0261fee f07b42c50e55db510bd47e52f0261fee 185703ef7c71acc3495bb08a841c918c 23e2393792366d49e8f526d7e129a46a 3edff0aa51c2e0dc8b10c36cce764faf 2805cf7da7d6fea13cb6aa7d49942217 042cdcefe6c193a0bbbaf12a5148afe5 d0a2712c70732a1a622f796a17ac54a5 tumblr_ltkb9lOhC71qls577o1_500 2ec4bad4c561dc37f924369bac1538f7 http://shape-and-colour.com/2011/11/22/fla-the-freaks-the-loner/ http://shape-and-colour.com/2011/11/22/fla-the-freaks-the-loner/#comments Wed, 23 Nov 2011 02:58:33 +0000 Jeremy http://shape-and-colour.com/?p=5400 ]]> I’ve been waiting for this. A short while ago I posted about the trailer for this little gem. I couldn’t quite put my finger on it, but something about it resonated with me. I’m more than happy to report that the full-length video is just as exquisitely realized and heart-achingly simple as I’d hoped.

Directed and animated by FLA, I was blown away by the use of variety of perspectives and the amount of detail. I’ve watched again and again,  each time seeing new things and each time feeling a little more filled with a wonderful yearning.  At the end of the day, what a truly remarkable thing it would be to have someone (or some small pink monster-dog thing) fight to love you despite all your faults. To me, The Loner is about the power of realizing you need something when you want it the least and the possibility inside us all to turn around one day and decide to become, in small steps, a better version of yourself. I actually gasped at one point, which is how you know it’s damn good. When it was over I realized how much I didn’t want it to end, which I think it some of the highest praise I can give.

]]> http://shape-and-colour.com/2011/11/22/fla-the-freaks-the-loner/feed/ 1 shape+colour loner_still http://shape-and-colour.com/2011/11/17/quick-dirty-2-red-song-camoflar-we-float-and-bad-choices/ http://shape-and-colour.com/2011/11/17/quick-dirty-2-red-song-camoflar-we-float-and-bad-choices/#comments Thu, 17 Nov 2011 19:30:37 +0000 Jeremy http://shape-and-colour.com/?p=5381 ]]> Quick + Dirty is back with a hot list of videos I think you need to see…

suuns: red song.

galaxie + mathieu cyr: camouflar.

my first earthquake + satan’s pearl horses: we float.

shout out out out out + a.j. bond + chris von szombathy: bad choices.

It’s no secret how much I love Everynone. They have an amazing knack at cutting together visceral, universally human moments into montages that almost everyone can immediately understand and identify with. Their vids are amazingly shareable (the term “viral” should be banned from the internet lexicon, btw…) because they strike a chord that’s direct and true. From the exquisite balances cast in their last vid “Symmetry” to their gorgeous type-based series “Words”, they exemplify the power of a quick, well-shot visual to tell incredibly vibrant tales.

As of this writing, their latest video “Losers” is at 7,000 views on Vimeo in only 5 hours. I guarantee you that it will be all over the internet in the upcoming days…as it should be. With the growing awareness of the true impact of bullying, I think this type of raw, insightful and connected portrayal of the slices that bullying cuts out from all of us is exactly the type of thing we need to see, and continue to see, until we do something tangible and real to stop it. I know what it feels like to be called a “faggot” in my high school highway. I also know what it feels like to call someone else a name because I was weak and want to feel stronger. As with any type of bullying – no matter which side of it you were on – it’s something you get over, but not something you forget.

I particularly love the shift in meaning from the beginning of the video to the end. Humourously unassuming at first, I laughed while not knowing where I was being lead yet. Then I realized I was slowly being shown that the losers are everyone. Each of us has the power both to bully and the responsibility to to learn we must end bullying. The true impact came at the very end when I realized that, only two minutes before at the beginning of the video, I was being the unwitting bully myself. It’s that kind of immediate emotional impact, and psychological realization just afterward, that lets you know you’ve just watched something very special.

Before we continue, I need you to know something about me: I take art supplies very seriously. Always have, always will. I obsessed over markers, cried over broken crayons and openly coveted my Dad’s set of Prismacolour pencil crayons that he would sometimes let me touch, but never draw with, because they had metallics in them. I repeat, METALLIC PENCIL CRAYONS.

In Grade 3, my Mom, in some sort of  back-to-school buying haze, bought me the 20-pack of Laurentians instead of the 24-pack I’d clearly requested. Then, in her bloodlust to shut me up and get me back in school already, she acted like it was no big deal. This was unacceptable. I needed the extra four colours. One was robin’s egg blue. What was I supposed to do; draw with the ultramarine and peacock blue at the same time and hope for the best? Obviously not. So, I promptly rode my bike to the local drug store and was almost immediately caught shoving the 24-pack down the front of my pants. It seemed like the only logical thing to do at the time. I was trapped in an A Time To Kill-esque moral dilemma and the only solution that made sense was to just steal the extra four. There was simply no other way.

Long story short (too late!) this is all to say that pencil crayons are the undeniably awesome tools of youth and memory, and this nifty stop-mo vid for Hudson’s “Against The Grain” by animator/filmmaker Dropbear is making me feel like stealing something. Wait, I mean… drawing… with pencil crayons. Yeah. That’s it.

(I also punched my fist through my Lite Brite once because I was one peg away from completing the Clown Face and discovered that I was missing the last peg. It was an insurmountable tragedy at the time, and I resorted to violence. I was four years old. But that’s a story for another time…)

+ via Vimeo Discover

Like a mad chemist mixing potions, collage is a brand new elixir divined from ingredients we all know into a brand new kind of magic. I find that the art of collage can sometimes fall victim to the “my kid could do that” attitude of modern art; the assumption that piecing existing imagery together is somehow easier than creating something from scratch. The point that they’re missing, obviously, is that, like so many things, the amalgamation is a brand new creation that exists wholly unto itself. Particularly, I find myself inspired by the work of: Tierney Gearon, Greg Shegler,  Paul Butler, and Christian Hückstädt. Today, happily, I can add Matt Wisniewski to the roster of collage awesomeness.

When well done, collage speaks not only to visual form but also makes us take notice of the idea of form that we can take for granted. If a body is replaced by flowers, how does that supposition affect the total context of the image? What is it about “beauty” that we find beautiful, and when these entities are visually combined do they enhance or withdraw from each other? Is it the insertion of the negative or the positive that we notice first? I love collage because it forces me to take notice of what’s been removed and what’s been added in a way that can be completely different from yours, and what that says about you and I as individuals is fascinating.

To me, Wisniewski’s collages focus on the human vs. the elemental and organic. His one series, named “My Home Is The Sea,” beautifully captures the essence of why I love them so much: human faces intertwined with the rolling ocean, with cliffs, with snow-beaten mountain sides. We are made of nature and he explores a literal collision of the end product – us – with the ingredients that formed us.

+ via beautiful/decay