I’ve always loved the intersection of the digital and the organic, and how the hyper-depiction of seemingly natural subjects can be rendered so realistic that they border on seeming fake. Working in both video and 3D-generated visuals, Lorenzo Oggiano works inside a high-def macro world where his images play with polarity. Beginning his study in 2003 and still on-going, his “Quasi-Objects” series is obviously beautiful, but glistening grotesque; informed by the laws and evolutions of nature but not actually formed by them. Up-close, I can see flower stamens that resemble insect eggs and, with a blink of the eye, smooth skin that becomes scales and water drops mirror light like multi-faceted eyes. There’s a line where attraction and disgust run almost parallel, and he’s walking along it a spine-tingling way.
From Oggiano’s site: “Quasi-Objects” is an art project consisting of 3d generated videos and prints, a practice of “organic re-design” – started in 2003 and still in progress – that aims to stimulate thought and dialogue on the progressive relativisation of natural forms of life as a result of techno-biological evolution. “Quasi-Objects” regards data actualization, the production of biologically non-functional organisms and ecosystems as transient output of an operative practice: aesthetics of process.
Life is a real and autonomous process independent from any specific material manifestation.”