patrick watson + la blogotheque: a take away show.

Patrick Watson is one of my fave musicians, and his latest “Wooden Arms”, is getting heavy rotation on my iPod. La Blogotheque’s sensational online concert series – “A Take Away Show” – is one of my fave online sites. So basically, the new Take Away Show featuring Patrick Watson was pure win-win. Check out past brilliance with Take Away Shows featuring Fleet Foxes and Sigur Rós.

Watson’s “Lucious Life” is one of my favourite songs of all time, and if you’ve never seen the equally brilliant video, here it is:

holi + poras chaudhary.

Today I’ve made a major personal discovery and I’ve just added a new one to my life’s To Do List: go to India and experience Holi.

What went down? A while ago, I posted this incredible mystery pic. I’d usually never post a pic without knowing what it was or who took it, but the kick ass colours and mood were too much for me to ignore…

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Thanks to a post at one of my absolute favourite blogs, COLOURlovers, and an email from Jessica at Thoughts Punctuated,  it turns out the picture was taken at what has to be the most chromatic, singularly beautiful religious celebration in the world: Holi, or the Festival of Colours. In early March, India and other countries with big Hindu populations usher in spring and represent the triumph of good over evil with what basically amounts to a national multi-coloured water fight in the street. People head out of their houses and cover each other in coloured paints, powders, waters, and dyes. It’s the literal, visual interpreatation of the colourful re-birth of spring come to life on people’s bodies. How rad is that?

I started doing some research and found a whole series of pics, including the mystery pic, on Desi Nuts and learned that the photographer of the mystery pic is Poras Chaudhary.  Here are some more of Chaudhary’s sensational pics of Holi:

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We’ve got joy. We’ve got happy. We’ve got colours. We’ve got smiling, happy, joyous people running through the streets rubbing colours on each other. It’s a photographic dream. The pictures from Holi are some of the purest I’ve ever seen. I don’t know how I’ve lived without Holi in my life for so long. Each March I’ve been hiding little chocolate eggs, watching bunny rabbits, and then eating a ham. Meanwhile they’re tearing off their clothes, getting communally hosed down by a gigantic orange-dyed fire hose, and rubbing paint all over each other. I have proof – check this shit out:

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Even worse, all the eggs I’ve been hiding are pastel. PASTEL! Pastels are the second place of colours. The almost-colours. The kissing your sister of colours. The one number off winning the jackpot of colours. Yes, pastels are the blue balls of colours. So close, and yet no chromatic climax.

The colours at Holi are life itself: acidic, clashing, screaming, yearning, vibrant. These are colours that say we are celebrating some serious stuff: Life, Goodness, Joy. Pastels celebrate the increased seasonal sales of Cadbury Mini-Eggs.

I’m just going to come right out and say it: Holi kicks Easter’s ass.

For more specific details about Holi and its rituals, head to this other COLOURlovers article by Colette Bennett. Also here are some more pics, pulled from an article on Holi at Boston.com:

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oh no ono + adam hashemi: swim.

Puberty is so fucking rough. Death and erections don’t mix. Until you’re 13, and then they do. Burgeoning sex drive and confrontations with mortality combine in a perfectly conflicted, thrust into coming of age vibe in this vid for “Swim”, directed by Adam Hashemi for Oh No Ono.

Via Antville

 

supinfocom: eole.

Supinfocom is a genius factory. The école SUPérieure d’INFOrmatique de COMmunication turns out jaw-dropper after jaw-dropper on a continual basis. The latest, co-directed by Aurélien Martineau, Etienne Métois and Moana Wisniewski, is “Eole.” Even if I could get over the exquisitely rendered 3D animation, which I can’t, I would still be dragged in by the simple beauty and hope of the story. Brilliance all around.

Via Feed

olga mink: fragments from atlantida.

Time for a walk on the experimental side. Interactive and new media artist Olga Mink’s “Fragments From Atlantida” is a a lot of things: a nature study, a motion triptych, a mind-blowing amount of work in Final Cut, a conversation piece, an oddity, a puzzle, and a stony, misty, cerebral look at the mystique of the outdoors. All that, and it has a balloon in it. I’m a sucker for balloons.

Mink says it’s “an imaginary journey through the seven islands experienced as an interchange between image and sound charting a conversational movements of colour, light, texture through the natural world.”

We’re too used to things that are so easily and quickly understood. Most of all, I love this because it challenged me to think.

william campbell: the lemon tree.

The Vimeo hompage is one of the happiest places on Earth. Seriously, the other day I tried to imagine what my life was like before Vimeo and I honestly couldn’t remember. I’ve put up a mental block. It must have been a dark time.

For yet another example of Vimeo’s unrelenting bad-assedness, it’s where I found William Campbell’s “The Lemon Tree”: a moody, gravelly examination of the moment where, if you’ve spent your entire life striving to have absolutely everything, you may realize one day that, in fact, you have nothing.

j tyler helms + grizzly bear: two weeks.

Balloons are rad. That’s obvious, but designer J Tyler Helms has doubled the radness by created this little gem. Both an homage to Albert Lamorisse’s 1956 classic “La Balloon Rouge” and a fan vid for Grizzly Bear’s “Two Weeks”, I became extremely happy when I watched this. And I was happy before. It was happy overload.

In case you’re unfamiliar, J Tyler Helms is the guy that created the beautifully matched fan vid for Radiohead’s “All I Need”, matching that painfully beautiful song with footage from the 1996 French nature documentary “Microcosmos.” With 1.2 million hits for the vid on YouTube, apparently I’m not the only one that digs it.

Via Antville

alex mcleod.

Toronto designer/artist Alex McLeod’s 3D digital renderings of various fantasy landscapes are seriously off the charts. They’re so gloriously, glossily fake that for a second they almost seem real. They’re like snapshots of dreams, or brochure photos to some sort of surreal, plastic, rainbow-filled holiday spot. The kind of spot where volcanoes erupt with spring water and clouds are transparent helium balloons. It’s landscape photography meets Saturday morning cartoons.

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His site also offers up some completely kick ass wallpapers – like this one, which is up on my computer as we speak. If you’re going to be in Toronto, McLeod has a solo show coming up in June at Switch Contemporary. I wanna see these bad boys in person. And maybe buy one. A guy can dream…

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amnesty international: defy them.

I honestly believe that actively supporting Amnesty International is one of the most important things we can do to encourage global equality and the enforcement of human rights.

“Torturers, traffickers, rapists, executioners, they all share one hope: that you DON’T WATCH THIS FILM, and you DON’T JOIN AMNESTY”


department of eagles + patrick daughters: no one does it like you.

Holy fuck. I don’t know how I missed this when it debuted at a few months ago, but I’m so pumped I stumbled onto it today. I see a lot of videos, and of course there’s a certain style I’m into, but it’s not every day where I see something that I need to watch all the way through, think about, and then say to myself “did I really just see that?” and then watch it over again.

This mind-blowing vid for Department of Eagles’ “No One Does It Like You” first dropped as part of MoMA’s PopRally series. It’s directed by The Director’s Bureau’s Patrick Daughters (who also did Feist’s big time ubiquitous “1234″ vid) , who collaborated with amazing Canadian artist Marcel Dzama to create the melancholy, vague, and pseudo-presentational war style captured so perfectly in the video.

Seriously, watch it right now. I can’t keep my jaw off the floor.

Via Life In Planet Hunky Dory

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