fleet foxes + grandchildren: he doesn’t know why.

Fleet Foxes are the shit. Their debut album was easily one of the best, if not the best album, of 2008. Fleet Foxes have a sound that’s undefinable in words and completely their own. Airy and organic – their music feels like folk tales, camp fire songs, whispers, lullabyes, and odes. When I close my eyes it makes me feel like I’m being swept along a hillside. The sound is timeless – like the songs weren’t necessarily written, but have always been there.

Their videos are equally sublime. Directed by Grandchildren (a.k.a. Sean Pecknold, the brother of lead singer and guitarist Robin Pecknold) the video for “He Doesn’t Know Why” is a perfect visual manifestation for this track. It’s like it rolled out of the woods and onto my laptop.

In case you missed it when it first dropped, Pecknold also directly the awe-inducing vid for Fleet Foxes’ “White Winter Hymnal”…

private hand: the last request.

George Bernard Shaw said “It is the deed that teaches, not the name we give it. Murder and capital punishment are not opposites that cancel each other out, but similars that breed their own kind.”

Last week I found an online list, originally published by the the Texas Department of Criminal Justice, listing the final meal requests of every person executed in Texas since 1982. It included some details, ostensibly overlooked by whomever typed the list, that I found astonishing. Scraps of insight, glossed over by the bureaucracy compiling them, that brought the reality of the night before a pre-described death into a sudden and inescapable emotional relief. A due date of mortality.

The original list was pulled down after complaints that it was tasteless, but I was lucky enough to find this video, created by facts from the same list, by graphic designer Mike Stanfill (a.k.a. Private Hand).

It’s not the answers that astound me as much as the fact that the question is asked. Yet, in the study of its meaning, everything I read was continually pulled back to the act of the criminal. Their humanity overshadowed completely by their actions, and their condemnation too complete and final to allow for their final free choice to be studied with an open heart.

I understand the abhorrence of their crimes. But I can’t escape imagining how it would feel for this person, removed of all choice over their own destiny and about to have the ultimate decision, their own death, made for them, to in the end be given control over one last thing: their last meal.

We could assume that for the ones who put some effort into it that they’ve chosen their greatest pleasure. Imagining my choices, each one is tied to memory. The food is a physical manifestation of a psychological experience. It’s no coincidence that so many of them pick homefood.

Many go the stereotypical route and go all out. But some refuse it. And some others are so intriguing as to be undeniably tied to something within these condemned people that we’ll never know: Cool Whip and Cherries. An apple. A jar of pickles. A chocolate birthday cake with “2/23/90″ written on top. These are not last acts of gluttony, a drive to be ridiculous in the face of all their unbelievable circumstances. These are sense memories. Opening the door to the past through the edible and olfactory. A final reaching for a shard, a sliver, of something they can’t put their hands on anymore.

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But it was the entry for Delbert Teague Jr. where something inside me broke. In a sentence so unassuming and literal that it almost belied the meaning within. “To please his mother, he ate a cheeseburger.” And so I realized…his mother was there. Her son was about to be murdered by her government. And the only thing she could do, in the great nurturing act taken on by every mother, is to get her son to eat. Despite the fact he wouldn’t live long enough to digest it.

Besides being the only country in the Western World to still execute it’s own citizens, the United States is even pretty murderous in comparison with some of the most violent non-democracies in the world. In 2006, 90% of all known executions in the world were committed in just five countries: China, Iran, Iraq, Pakistan, and the United States.

Clearly, the U.S. isn’t exactly keeping esteemed company on the human rights front.

Not many of us will know, so chronically and succinctly or with such slow, impending certainty, the exact moment of our deaths. And very few of us will ever experience a moment where we know that we are about to make our very last decision. A lifetime distilled into one last desire. Food as both memory and epitaph. I wonder what these people feel when they order. I wonder even more what they feel when they’ve finished, and realize that truly there’s only one thing left for them to do.

fanfarlo + stachemou: harold t. wilkins.

Old skool. They had me at “Institute for the Musical Paranormal” and then sealed the deal with that whole kaleidoscopic thing. Max Headroom-esque vid for Fanfarlo’s “Harold T. Wilkins”, directed by Stachemou.

Via Motionographer

kristopher grunert: year of light calendar.

For design snobs like me, the beginning of the year usually involves an arduous search to find the right calendar. Not too ugly, not too scheme-y, not too kitschy, but something just right. The Goldilocks of calendars. Which was why I was really happy when one of my fave photographers, Canadian Kristopher Grunert, solved the problem for me with his “Year Of Light” 2009 screensaver calendar series.

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His work, as always, is stunning: graphic, glowing, geometric, effusive. Like the title suggests, each month is imbued with light and, yet, is dark enough that you can still see icons on your screen. Perfect.

Even more perfect, Grunert is offering it up for free. You can get your hands on it here.

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flogging molly + karni & saul: float.

Holy shit. I wasn’t sure where this was going at first, but by the end of it my jaw was on the floor.

Karni & Saul (the team behind “The Red Suitcase”) have created a jarring, jangly, wind-swept crazy crescendo of a video for Celtic-punkers Flogging Molly’s “Float.” The blend of stop-motion, CGI, and live action is insane, and the lonely, vagabond feel of the visuals lurches perfectly with the folksong/bar brawl/fiddle/banjo/accordion/screaming combo of the song itself.  The epicness sneaks up on you…

Watch “Float” here.

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Via Feed

mato atom: headache.

Smart contribution to an amazing must-see site, Designers Against Human Rights Abuse (DAHRA) by Mato Atom.

Via Motionographer

sony play station: flower.

This is pretty amazing. “Flower” is a new game for Play Station 3 that’s breaking the mould of the typical first-person run and shoot fest. Helmed by lead creative designer Jenova Chen (watch an excellent video of Chen himself narrating a demo of the game on Gamespot), each level starts with a lonely flower sitting on the windowsill of a grey urban apartment.

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The game begins, poetically, inside each “flower’s dream.” Your job is to guide petals from the flower across different landscapes by tilting the controller. That’s it. As Joystiq wrote: “There’s no time limit, no hazards, no points system and, really, no way to fail.” It’s not so much as game as a beautiful zen relaxation exercise.

Check out this fan-created trailer for the game, fortuitously set to one of my fave songs of all time “Gold In The Air Of Summer” by Kings of Convenience. It’s so austere and lovely, and could completely be a music video or animated short. The quality and detail of the graphic animation is unreal. Definitely click on the HD button to get the full effect…

“Flower” is being released in the U.S. and Europe on February 12.

Via Towleroad

“the adventures of tintin: the secret of the unicorn” begins production…

When I was 8 there were only two things that really mattered to me: Super Mario and Tintin.

I could count time in Tintins. The drive to my grandparents house was equivalent to the time it took to read four Tintins. As a unit of measurement, this reads as 4 TTs. Flight to Montréal: 7 TTs. The wait from the time I woke up on Christmas morning until the time I was allowed to wake up my parents at 8:00am: 10 TTs. The time it will take me to write this post: approx 0.4 TTs.

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When I was 22 I went to Europe for the first time, and as soon as I got to Belgium  (home of Hergé, Tintin’s creator, and a country where Tintin is as universally iconic and loved as Superman is in North America), I went right to Brussels. In case you’re wondering, Brussels is Tintin-central. I went to the Tintin Museum, the Tintin store and amassed a large amount of quality European Tintin souvenirs, including the replica of the Cold War-era rocket from “Destination Moon.” Yes, I’m a fanboy.

I’ve been following the buzz about the upcoming Tintin feature film for a few years and now that it’s finally coming to fruition I don’t think it could be in better hands.  Paramount and Sony announced this week that principal photography has begun on “The Adventures of Tintin: The Secret of  the Unicorn.” A combination of the plots from the original “The Secret of The Unicorn” and “Red Rackham’s Treasure”, the film (get this…) is being directed by Steven Spielberg, produced by Spielberg,  Peter Jackson (that’s right, Peter muthafucking Jackson) and Kathleen Kennedy, and shot in 3-D motion capture by the geniuses at Jackson’s own Weta Digital.  Epic. These men are titans in this genre. This movie. Will be. The shit.

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Plus, there’s a scene where Tintin drives around in a submarine shaped like a shark. I can’t wait to see what Spielberg does with that. What else do you need, really?

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Jamie Bell (best known for “Billy Elliott”) is playing Tintin, Daniel Craig is playing the pirate Red Rackham, and Andy Serkis (Golum from the “Lord of the Rings” films) is Captain Haddock. I understand that if you’ve never read Tintin this means nothing to you. However, if you did and love it as much as I do, then this news will trigger a wave of old skool nostalgia and fits of euro-comic giddiness.

The option is up for two more films to follow (the second, reportedly, to be directed by Jackson). It’s not clear yet if the first movie will cover just “The Secret of The Unicorn”, with the planned sequel moving into “Red Rackham’s Treasure”, or if the first film will blend them both. IMDB lists the release date as 2010, but most media sources are saying 2011. Either is too far away.

Thanks to Harry for the info.

james leng: glowing cities under a nighttime sky.

It’s fascinating to see things from the sides we’re not easily allowed to go: the bottom of ice bergs and the tops of clouds.

Here, James Leng has created a spontaneous and beautiful view of all the light we humans emit, seen from the sky. “I really don’t know clouds at all…”

Via kottke

jordan clarke: vanilla strawberry.

Tight little iPod-esque mini-vid from fellow Canadian Jordan Clarke. More please.

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